![\"\"](\"https:\/\/eco-printing.cc\/wp-content\/uploads\/2026\/04\/668967716_122123896713205720_2058461720140864690_n.jpg\")
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\ud83c\udf3fAfter entering into the swing leaf design, you don\u2019t just put the leaves on it, but you have to think about the direction of arrangement, the rhythm of density, the response relationship between the leaves, and the breathing feeling brought by the blank space. Some leaves are suitable for becoming the main body of the painting, while others are suitable for foil and extension. Through the arrangement of different sizes, shapes and positions, the layers, flow and storytelling of the work are slowly stacked up. \ud83c\udf3fWhen it comes to the stages of mordant dyeing and steaming, the focus of learning becomes even more obvious. Different processing methods will affect the presentation of color, outline and plant texture; and these seemingly subtle differences are often the key to whether the work is attractive or not.<\/p>\n\n \ud83c\udf3fI really hope that what students take away is not just the works from this class, but a true understanding of the logic of flower and leaf transfer dyeing, knowing why to do it this way and why to make adjustments that way, so that when they go back to create their own works, they will have more direction and better judgment.<\/p>\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n